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But this time Puneeth has been acknowledged the best actor for his performance in 'Jackie'. Puneeth had got a Best actor award for his performance in 'Prithvi' earlier. Though Puneeth Rajkumar and Agni Sridhar have been retained for the awards due to various reasons, they have been given award for a different reason. Of the eight awards, the three lifetime achievement awardees along with Puneeth (Best Actor), Shringeri Ramanna (Best Dubbing Artiste), Baby Prakruthi (Best Child Artiste Female), Ravindra Soragavi (Best Play Back Singer) and Agni Sridhar (Best Screenplay) has been retained. Now that the new committee has released the list of awardees for the year 2010-11, except for eight awards, the committee has considered a change in the rest of the awards. Last But Not Least: ‘Life is important than love’Ĭast: Prajwal Devaraj, Reema Vora, Harshika Poonacha, Sadhu Kokila, Sharan, Girish and others.When the news broke out that the High Court has stayed the Karnataka State Film Awards for the year 2010-11 and the Government is likely to withdraw the awards, there was a natural fear in the film industry that many of the awardees like Puneeth Rajkumar, Ambarish, Bhargava, Shivaramanna and others might lose the awards as the new committee might select others. Nee Naanadhe Naa…Ninna Mukha Nodi Suprabhata…and sorrow song Onde Ondhu Hejje Jeeva Matanadalu…are good ones.
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Music director Abhiman Roy has given prominence to melody. So cameraman Jain Anand has given the darkness in his camera work.
REVIEW MURALI MEETS MEERA PATCH
‘Murali Meets Meera’ has lot of darkness and it is purposeful because the two characters – Prajwal Devaraj and Reema Vora characters are in dark patch of life. It is a cake walk for comedy actors Sharan and Sadhu Kokila. Harshika Poonacha has given good expressions but her stay is very limited. The dubbing for Reema Vora is very casual. Giving wide looks and expressing via eyes Reema Vora is partially convincing. The usual strength of Prajwal Devaraj has not come out here in ‘Murali Meets Meera’. Prajwal Devaraj has made a mistake once again by accepting a weak subject. This is dragging on the one side and the only suspense is the Meera role explaining her past at the end of the film. He brings in the relations in his dialogues. The director Mahesh Rao has limited characters on the screen and he moves around mainly in three performers. The crying and pathetic look is not expected from him. The role is not adequate to the image of Prajwal Devaraj. There is no liveliness required for this film. The first half is as usual boring with not much of developments. This kind of film is best suited in small screen with 15 to 20 episodes. There is no vulgarity and obscene elements in the film. A clean way of narration is the winning point of this director. The narration in the slow and steady style of director Mahesh Rao takes us to the seventies. After knowing the past of Meera the disenchanted youth prefers to be the life partner. For earning and living she takes to alcohol and good in heart. She was in love with a youngster in college days and she is dropped in the wrong routes. Meera is a prostitute by force in her life. That is the explanation of another tale of woes from Meera now. He proposes to Meera on one dark chilly night in her pent house.
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Murali explain his woes in life and becomes very close to Meera. Meera on the bike of Murali as a pillion becomes a partner in life after a long tale narration. He is moving with a rat poison in his pocket. Murali was deceived in love by Shwetha (Harshika Poonacha). The dejected youth Murali (Prajwal Devaraj) finds a strange personality Meera (Reema Vora).